Mambo Jazz Gets Down

The percussion was hot on a cold night in Chicago this past December 13th. Raul Timbal - featuring Pepe Armijos on piano, started the fireworks early when they opened the show at the Puerto Rican Police Association’s annual banquet. Raul wowed the crowd when his first number peaked with an exciting timbal solo setting the tone for the night. Raul was at this best and the crowd responded on the dance floor. Pepe Armijos, a guest pianist, entertained the crowd as well with his delightful key work. They played through the night playing their renditions of many of the popular salsa tunes of the day. A good time was had by all. Check them out the next time you get a chance. You won’t be disappointed.

Descarga Papiro!

…as the dancers spin, the strobe driven tempo charges the atmosphere when the timbalero suddenly breaks into his solo…. The timbales speak. The faster he plays, the faster they dance until they go spinning into salsa frenzy. Latin heat is infectious. Not a soul in the place is still because Papiro and his timbal claimed the night. That was salsa at its best. As you play this clip close your eyes and imagine yourself there.

Shorty Ramirez Y Su Orquesta – Good Old Chicago Salsa

Since this blog is partly dedicated to bringing to your attention musicians who made it happen for us in Chicago back in the day, I couldn’t help but mention Shorty Ramirez Y Su Orquesta. I am told that they were around in the early part of the salsa era. While searching for information on them, I stumbled upon a video on Youtube of their first and only recording. The album is entitled, “Muerto De La Risa.” The recording is pretty good and captures the essence of the Chicago Latin sound of that time. The vocals are by Hector Colon. In the album cover photo I think I recognize pianist Juan Perez and his brother Angelo Perez, who was one of the premier Latin bassists of that time. It was recorded in 1969. I attached the link below for your enjoyment. If anyone out there knows the name of the musicians in the recording let us know so we can give them proper credit. Peace…

http://www.youtube.com/watch?v=_dbPnXs3b-o&feature=related

Today’s Featured Artist – Freddy Torres

 

While reminiscing about the old days and thinking about the salsa musicians that made it happen I couldn’t help but wonder whatever happened to some of them. Back in the 1970s, there was a young bass player playing the salsa circles named Joe “Poruco.” I believe his real name was Joe Torres but everyone called him “Poruco” – I hope I am spelling it correctly. Anyway, Joe was a southpaw (lefty) who played a right handed bass. You really needed to hear him to understand what I am talking about. Joe was a damn good bass player. He played the Ampeg Baby Bass with a quickness I had not seen in Latin bass players and worked with many of the bands of the day. He had a great swing and was very personable. For whatever reason, Joe eventually drifted from the Chicago salsa scene. During one of our conversations I remember Joe telling me about his kid brothers. He said that they were really talented and were starting to play gigs on a regular basis. I remember him telling me that one was Edwin, who played timbales, and the other one was Freddy, who also played bass. Some time after our conversation I had an occasion to check them both out. Although they were kids, you could see that they had natural talent and they were really good. At the time, they were playing in a group with their father, another great musician. Over the years, I again ran into one of the brothers. Freddy was now an accomplished bass player with a similar style to “Poruco’s” and was making a name for himself in the Salsa circles. Every now and then, you run into one of these musicians that can play just about any instrument they get their hands on. I am sure everyone knows somebody in their family that is made up that way - great musical genes. Anyway, as the years went by, I saw this young man play the bass, trumpet, piano, and guitar. The thing is that he was really good at all of them. He could literally do a recording playing all the instruments. I am not sure what his vocal chops are like but as far as his playing he is one of the best. Freddy Torres did time with many of the Salsa bands of the day but is better known as a free lance bassist. As with many of the good salsa musicians however, Freddy eventually moved from Chicago. I am sure that wherever he is today, he is still swinging that bass, trumpet, piano, guitar and whatever he gets his hands on. I wish him luck. If anyone can give us an update on Freddy Torres, Joe, or his brother, Edwin, please drop us a line so we can let everyone know. This group of brothers played a key role in the salsa scene from the 70s through the 90s. I recently found a video on Youtube featuring Freddy Torres playing a bass solo during a visit at Humboldt Park in Chicago and linked it four your listening pleasure. Check it out.

http://www.youtube.com/watch?v=MGKZsfGZH9Q&feature=related 

Mr. Boricuaman and El Corillo De Humboldt Park

 

A few posts ago, I was telling y’all about El Corillo at Humboldt Park. Humboldt Park is the place were musicians, both good and bad, get together and play salsa along with anyone else who cares to join in. Some play along with recordings and others bring full scale sound equipment along with their instruments. Crowds of spectators enjoy free live music and dance to the infectious rhythms while passing musicians and others join in to take turns playing along with the makeshift bands. Age doesn’t really matter. Young and old all take part. Some of these musicians are pretty good. The park is their stage and the people there become a part of it. I was checking out Youtube the other day and found several Youtube videos that have been posted by some guy named “mrboricuaman.”  All his videos are about “El Corillo” de Humboldt Park. Check them out if you get a chance so you can get a preview of what is going on there. The summer is coming to a close so try to get over to Humboldt Park to check it out. Believe me, after a few visits, you too will become part of “El Corillo.” Attached is one of “mrboricuaman’s” videos. I don’t know who mrboricuaman is but whoever you are, thanks for keeping salsa alive. Enjoy the video everyone.

http://www.youtube.com/watch?v=FitHUTfaoGk&feature=related 

Introducing Sureya….

 

During this year’s Cuban Fest, which was held at Riis Park in Chicago this summer, I had the fortune of learning of a new Chicago talent - or at least new to me. This talent I am referring to is none other than the Latin female vocalist, Sureya. Her real name is Sureya Perez and she has been making herself known in the Chicago Latin music circles as of late. As I approached the stage over at Riis, I was impressed with her vocal talent and ability to hold her own in this vastly male dominated salsa industry. She mastered the stage and provided a spicy repertoire filled with a mixture of mambos, son montunos, and Latin rhythms that proved infectious. The band was in top form and helped make her the complete package. If you haven’t checked her out make sure you do. You won’t be disappointed. If anyone knows more about her, drop us a line so we can give everyone an update.

Un Verano En Chicago – La Salsa Vive…

Aquí enviamos imágenes de algunas de las orquestas que nos entretenieron este verano en Chicago…..

Willie Torres Hardcore Concert – Live at Chicago’s Summerdance

It was a warm summer day in the windy city. The fast paced city was alive with visitors, site seers and Chicagoans, who took advantage of the last few of the free summer events in downtown Chicago before the return of the cold. “Summer Dance,” the popular summer event, outdid itself again. The headliner for the afternoon was none other than New York salsa vocalist Willy Torres. For those unfamiliar with the name, Willy Torres is one of the vocalists of New York’s popular Spanish Harlem Orchestra. The event was a huge success. Dancers and spectators arrived early at the park located at Michigan Avenue and Balbo claiming their territory with chairs and blankets. The program began as it typically does with “Lisa La Boricua” providing free salsa dance lessons for those who want to experience it. It serves to get everyone in the mood and it seems that each year the crowd gets bigger and bigger. As dancers spun around the dance floor, others crowded around the stage in an effort to absorb the magic. Those sitting on lawn chairs enjoying the moment tapped their feet to the beat of the percussion. The DJ ignited the crowd with standard salsa tunes that accompanied Lisa’s instructions. The band accompanying Willy Torres was none other than Chicago’s 911 Orchestra led by trombonist Angel Melendez. As the band counted down, the magic began. Willy Torres vocals filled the park with energy and swing. Willy is a charismatic vocalist, whose style draws you into his arena. His popularity has been gaining in Chicago, especially since his frequent trips to the Windy City have put his name out there. Willy has been collaborating with Chicago area musicians and has partnered with trombonist Angel Melendez throughout various projects. Angel Melendez is a featured trombonist in Willy Torres’ “Hardcore” album, which is his most recent release. For all those who missed this free concert, make sure you catch the next one. It’s an easy way to get your salsa “fix” while enjoying a summer afternoon in the Windy city. Salsa in Chicago – you’ve gotta love it.


Click on the below link to see Willy at the set..
http://www.youtube.com/watch?v=-NxYeXNpC7c

Marcus Persiani and Willie Colon

In a previous post I mentioned how Chicago salsa/ jazz pianist Marcus Persiani moved on to New York after paying his dues in the windy city. As a follow-up to that post I am attaching a link of Marcus jamming with Willie Colon for all to see. This video has some sync issues so be patient and let it buffer awhile before you play it. Great video. Enjoy…

http://www.youtube.com/watch?v=INUJ3kglldM&feature=player_embedded#at=175 

Los Congeros De Humboldt Park

 

……Its summertime in Chicago - people getting shot, traffic congestion, open hydrants, street dealers working their spots and a lot of craziness out here. It’s hot - into the 90s they say. I need to get away so I’m going to Humboldt Park to see what “El Corillo de Humboldt Park” is up to. The park is our world. Bacalaitos, frituras, alcapurrias and other treats are plentiful as well as a cold one someone is willing to sell you from their secret stash. As you near the park, you pass a group of older cats playing dominoes at a table set up on Division Street. The speakers from Lily’s Records blare a Gran Combo tune entertaining the neighborhood.

 As you enter the park, the sounds put you in the mood. A salsero is marking time with a cowbell to the sounds from the boom box he set up. People are camped out ignoring the mess that society has to deal with outside the confines of the park. Further up, the rhythm from the conga players are playing to the crowds in the park and draw you into their world. There is no stage, no speakers - the grass is sufficient. It is good enough to move the scantly clad females into salsa frenzy. “El Corillo” is here. This is la salsa de mi barrio at its best. Come on over and check it out. Be sure to click on the link to get the feel of it…

http://www.youtube.com/watch?v=fE5OnZeAIMM&feature=mfu_in_order&list=UL 

Los Primos

During the 1980s, there were a couple of cousins that were accomplished percussionists who were making their way around the salsa scene back then. I recall hearing about, and then meeting the first one, an extremely talented bongo player who everyone referred to as “Chocolate.” What impressed me most about “Chocolate” was his professionalism and versatility in all Latin percussion instruments. He was a perfectionist who influenced everyone he played with. His real name was Miguel “Chocolate” Cruz. He was a real showman who eventually moved on to Puerto Rico to pursue his musical endeavors while dedicating his life to his faith. He was one of the early salsa pioneers in Chicago. Also during that time, I had the pleasure of meeting a very talented conga player named, Jose “Negrito” Perez. “Negrito,” as everyone called him, was an outstanding conga player who had a very solid tone. Yes, I said tone. You see, many conga players today have a slapping sound or a “thud” when they play, which isn’t necessarily a bad thing. It is a rare few though who actually emit a tone when they play. It comes out as a note instead of a “thud.” Anyway, “Negrito” was one of the few in Chicago who did this. I later found out that “Negrito” and “Chocolate” were cousins. I remember that “Negrito” was often called on to play shows and to accompany visiting artists who appeared in Chicago. As it turned out, Jose “Negrito” Perez had a brother, another outstanding percussionist named, “Herbie.” “Herbie,” whose name I believe was Heriberto Perez, was another outstanding Latin percussionist. As was the case with “Chocolate” and “Negrito,” “Herbie” also had a hell of a swing and was the steady hand of many salsa groups in Chicago. All three of these guys had a style next to none and had a big influence in molding the Latin percussion sound in Chicago during that time.

Recently, I was at the Chicago Salsa Congress checking out the headline act from Puerto Rico, “Sammy Garcia y El Sabor de Puerto Rico,” when someone mentioned to me that Sammy Garcia, the leader and conga player of the band, is also a cousin to Jose “Negrito” Perez and Herbie Perez. Wow! I was shocked. What a small world. This family is loaded with talent if this is true. They must have music in their veins. Anyway, I was wondering if anyone could tell us what Miguel “Chocolate” Cruz, Jose “Negrito” Perez and “Herbie” Perez are doing today. I always had good memories of these guys and hope their careers flourished.

Mike Rivera and Chicago’s Tipica 78

 

Courtesy Mike Rivera Myspace page

Many years ago, and I mean many (1980s), a young salsa band began to make some noise in the salsa circuit in Chicago. The band, “Tipica 78,” was one of the youthful bands that were part of the “Caribe” repertoire of young Chicago salsa groups he (Caribe) managed. They had a very young following mostly because they themselves were kids back then. The leaders of the group, as I recall, were Vida Rivera (conga player) and Mikey Rivera, the bassist. Every so often when you see kids, you recognize one or two who stand out as someone who is destined to go far in life. Back then I predicted this same outcome for the bass player/ co-leader, Mike Rivera. You see, Mike Rivera was not only a good Latin bass player, but he was also a kid that thought things out and seemed to be the voice of reason. He was methodical and had a good business sense at an early age. Over the years, long after Tipica 78, Mike Rivera continued his musical career and delved into the business side of the industry. That is a tough job in today’s climate whre Latin Music is not necessarily the most profitable. His journey took him away from the windy city in order to enhance his experience to places like New York, Los Angeles, and Florida, where he now makes his home. Today Mike Rivera is a well established producer in the salsa scene who has produced and managed many of today’s premier salsa stars. Mike is still playing bass between productions and is one of the most sought after producers in the industry. Mike Rivera has paid his dues in Chicago and is someone you should know about. I have attached a link to his Myspace page so you could see his bio. I would post it but it is kind of lengthy. When we think about Old School Salsa in Chicago, we should definitely remember Mike Rivera and Chicago’s Tipica 78. If anyone has any old photos or stories about this group please let me know and I will post them.

http://www.myspace.com/mikeriveraofficialpage 

Angel Melendez and his 911 Big Band doin’ “Puente”

 

If you didn’t get a chance to go to Humboldt Park for the Puerto Rican Fest you missed a good one. Angel Melendez brought out the Caddy today when he came with the big band. This band is one of Chicago’s best and rightfully so. The theme of the mini-concert was “Tito Puente.” The band played mostly Puente big band standards with snappy solos by talented percussionists and an awesome solo by his saxophonist. If you didn’t see the band on Saturday (June 18^th 2011) make sure you catch a concert in the near future. Nice job Angel.

Hector Nunez at Humboldt Park

 

As I neared Humboldt Park while going to the festivities celebrating Puerto Rican week, I could hear the swing of the bass. As I got closer, the horn section blared and the singer went into his “soneo.” I recognized the voice of Hector Nunez right away. It was a blast from the past and reminded me of the days when Hector and other singers routinely performed at outdoor salsa venues in and around Humboldt Park. When I finally entered the park I could see spectators dressed in full Puerto Rican garb dancing on the grass. The smell of food was in the air and everyone appeared to be enjoying Hector’s performance. The band, I was told, was a collection of local musicians who were contracted to back up most of the singers who were to perform at the park through the weekend. I did not know many of them but did recognize some from the old days. The two besides Hector I did recognize was Freddie Rodriguez on trumpet and Jesus “Papiro” Vera, who was on maracas singing coro. “Papiro,” if you don’t know, is one of the city’s best timbaleros. There is a video of him on YouTube playing a timbal solo. It is worth checking out. It is a little dated (1970s) but it is still worth looking at. Freddie Rodriguez is a true salsa veteran with impressive credentials. It was great seeing and hearing them again. This is salsa in the windy city at its best. Que viva la salsa!

Jorge Dalto – Chicago Roots

When we look at the development of Latin music in Chicago we often overlook what was once in our own back yard. Many times musicians start out or do their “field training” in Chicago and later move on to the “big time.” You can’t really blame them for moving on to greener pastures. After all, you need to go where the work is. Recently, I came across a video of a former Chicago musician who really hit the big time. He was pianist Jorge Dalto. He lived in Chicago for only a few years but what an impression he made. Jorge Dalto came to Chicago from Argentina years ago to further his music career. He played here with a local quintet and met his wife Adela, who had moved here from Indiana. After doing the club scene for a few years he moved to the Big Apple where he made his name. Jorge Dalto is probably most famous for his work with George Benson but during his time in New York he also worked with Tito Puente, Machito, Willie Colon and was the pianist for Gato Barbieri. Attached is a video of Jorge Dalto playing a solo with some of the Fania Stars. Unfortunately, Jorge Dalto passed away at 39 years of age after a long illness. Click on the attached link and enjoy.

http://www.youtube.com/watch?v=qQt9JiG5O7g&feature=related

“Suena” – Latin Jazz combo brings us “Salsazz” (Salsa con Jazz)

 

On Sunday, May 15, 2011, I had the great pleasure of doing my part in supporting the American Cancer Society Walk and Roll event at Grant Park in downtown, Chicago. It was cold, windy and it rained all day. Despite that, Latin music still found a way to warm our spirits and become part of our day. The band performing there did their part by keeping us entertained with their rendition of Latin standards with just a touch of jazz. It was a nice blend that I would like to refer to as, “Sals-Azz,” or Salsa con Jazz. The group I am referring to is a relatively new group from Chicago called, “Suena Latin Jazz.” The group is comprised of a pianist, a conga player (the leader), timbales, bongo, trumpet, saxophone and a baby bass player. Its leader, Juan Carlos Delgado or “JC” as he is referred to did his best to make good out of an otherwise miserable day (only due to the weather). I would like to thank them for sticking it out during the rain. As always, I am a supporter of all local Latin Bands. Please do the same. “JC” can be reached at jcarlos@windycitymix.com.

Mike Maldonado – “Sonero De Los Soneros”

As you near the club you could hear the music at a distance… Once you get inside and make your way through the crowd you can feel the swing of the band in high gear as the congas move the tempo forward like clockwork. The “cascara” of the timbal and the slapping sounds of the bongo compliment the tempo and complete all the necessary elements to carry the swing of the band. The dancers respond. The ones not dancing form a crowd around the stage. As the “Sonero” joins the tune and begins to sing, all eyes are on him. His crafty lyrics send a message to all letting them know he is the baddest mother f in the house. As the dancers revolve around the dance floor it is hard for the ladies to ignore the voice that carries the message. The singer, although small in stature is a giant in many ways. That singer is no other than Mike Maldonado, the Chicago Salsa Icon who delivered the message for so many salsa bands in Chicago for decades.
Mike Maldonado came to Chicago many years ago from Utuado, Puerto Rico. His love for music was second to none and he quickly became involved in the Chicago Latin music scene. In the over 50 plus years he spent in the city he sang with most of the popular salsa bands. Back in the day Mike Maldonado sang with Los Humacaenos and Rio Platense. I recall the first time I saw him he was singing at the Las Vegas Night Club with a group there. I remember that Mike was never out of a gig and had done time with many other established bands such as, Felipe Y Su Gran Sonora, “Tarzan” (Edwin Rivera) Y Su Orquesta, and on occasion with La Sonora Tropical and La Confidencia. I recall that during the 1970s Mike Maldonado started a band called “Nova.” I remember comparing the group to Tipica 73 from New York at the time because they had a similar sound. The group was very popular and became the house band for one of the Latin clubs in the city for a long time. They were one of my favorite groups of that time. Later on, after the breakup of “Nova,” Mike Maldonado found a new home with “La Confidencia,” who was going through some personnel changes. Mike’s professionalism and savvy style of singing solidified the sound of La Confidencia, who became one of the longest lasting salsa bands in the city.
After several years away from the Latin scene I heard about a band called the 911 Mambo Orchestra. I found out that the band, under the direction of Trombonist Angel Melendez, had recorded an album that was nominated for a Grammy – a first for a Chicago Salsa band. I decided to check out a few tracks from the CD and was surprised when I recognized the vocals of none other than Mike Maldonado. I remember talking to Mike Maldonado about the recording later on. He would beam when he talked about it. He said that after so many years paying his dues in Chicago he could not believe that his first recording with 911 Mambo Orchestra resulted in a Grammy nomination. He said it was “like hitting a home run in your first at bat.” He was truly proud of this accomplishment and proud of the band and grateful to Angel Melendez for the opportunity.
A couple of years ago a local musician called me and told me that Mike Maldonado was retiring and moving to Florida and that Angel Melendez was having a homage to him at a popular downtown restaurant. I agreed to go and was glad to meet up with him again and reminisce about old times and the development of salsa over the years. We had a great time and exchanged numbers. After a few weeks, I called Mike to see how things were going in Florida. He told me things were great and that I should come down because there was a lot of work there. As it turned out Mike couldn’t stay away from salsa. He wound up singing for a group there called “La Nueva Herencia” and never really retired from music. You see, it’s not easy retiring from salsa or completely quitting something you love. A short time after our conversation I was saddened to learn that Mike Maldonado had passed away in Florida. Mike Maldonado may have left us with no one to fill his role here in Chicago as the premier “Sonero” but make no mistake, Mike Maldonado is still singing those crafty lyrics in the sky letting them know he is still the baddest mother f  around. Thanks for giving us all those years of good salsa. We miss you.

To read a little more on Mike Maldonado click on the attached link.
http://redalyc.uaemex.mx/pdf/377/37716111.pdf 

Chicago Salsa Bands - Past and Present

While conducting research on Chicago Salsa Bands I was able to compile a list of links of videos of Chicago Salsa Bands that came to my attention. Some of the bands are new to the scene and other videos are of past salsa bands. Listed below are the links or ULR addresses for the videos. Paste them to your address bar and see what was posted. Enjoy..

http://www.youtube.com/watch?v=MIHKTLR3yu8&feature=related

Sonora Tropical

http://www.youtube.com/watch?v=9Vm3a4wG9Rg

Everardo Y Su Flota Musical

http://www.youtube.com/watch?v=h0rdkSSrsiQ

Orquesta Yambo

http://www.youtube.com/watch?v=ntyU4bAafk0

Carpacho Y Su Super Combo

http://www.youtube.com/watch?v=gJvIEr4xED4

La Tremenda Rumba

http://www.youtube.com/watch?v=E47xVVsAPFY

Chicago Mambo All Stars

http://www.youtube.com/watch?v=OqxIyXDiwqM&feature=related

Eliezer Y Su Orquesta

http://www.youtube.com/watch?v=VcJ9JvIPqp4&feature=related

Gelito Sanchez

http://www.youtube.com/watch?v=2SeD3Yme5mo&feature=mr_meh&list=PLD3504264750CD7FA&index=2&play

La Justicia

http://www.youtube.com/watch?v=NdzUUL5MMN8&feature=related

Tarzan Y La Poderosa

http://www.youtube.com/watch?v=058aeWrNVC4&feature=related

La Solucion de Chicago

http://www.youtube.com/watch?v=n48jcA8urP8&feature=mfu_in_order&list=UL

La Confidencia

http://www.youtube.com/watch?v=vg6ecFlagXo

Angel Melendez and the 911 Mambo Orchestra

http://salsadelbarrio-chicago.blogspot.com/2011/03/charlie-burgos-and-la-nuestra-sing.html

La Nuestra

http://www.youtube.com/watch?v=MK6hpxjetdY

Orquesta Sensacion de Chicago

http://www.youtube.com/watch?v=6TDarXq096o&feature=related

Orquesta Suave

http://www.youtube.com/watch?v=Q_4Z83pXd9U

La Controversia de Milwaukee, Wisconsin
http://www.youtube.com/watch?v=cAUlGPB85zY&feature=mfu_in_order&list=UL

Manuel Y Sus Estrellas
http://www.youtube.com/watch?v=KysQkl6_EeI&feature=related
La Union de Chicago 
 http://www.youtube.com/watch?v=XkC37l9ufXQ&feature=related
Juventud Tipica 78 de Chicago 
http://www.youtube.com/watch?v=RwEoPjSLalM

Teddy Torres 
http://www.mamboexpress5.com/
Vic Parra and the Mambo Express 

http://www.youtube.com/watch?v=_dbPnXs3b-o&feature=related

Shorty Ramirez Y Su Orquesta
http://www.youtube.com/watch?v=SYYFxQMm8J8 
Tipica Leal 79
http://www.youtube.com/watch?v=6tzum26uucc
Rica Obsesion

The Other Barreto

 

Although our intent here is to feature Chicago Salsa Bands, I wanted to share this video with you so you can capture the essence of Latin Jam Session or the “descarga.” These jam sessions used to be common in Chicago years ago when Latin musicians from different groups would get together to play to an open audience. Many times they would be outdoors in and around Humboldt Park. This video features an old Cuban group called “Los Amigos.” They are led by timbalero Guillermo Barreto. Guillermo started the Saturday Afternoon Jam Sessions in New York back in the day which became popular in the jazz circles. Featured in the video is pianist Frank Emilio, a Cuban pianist who played jazz and has been blind since the age of 13. The flutist is Miguel O’Farrill. On conga is the famous Tata Guines (pronounced weenes). The bassist who starts out the tune is none other than Cachaito Lopez. Click on the following link and enjoy.

http://www.youtube.com/watch?v=OXBEDTMGUxw&NR=1 

Raul “Timbal”

Photo courtesy of salsachicago.com

During the 1970s and 1980s, Chicago was blessed to have an abundance of salsa bands. This was possible due to the many salsa musicians that were part of the salsa scene during those days. Among the musicians paying his dues was a talented timbalero named, Raul “Timbal.” I remember Raul from his early days when he was the regular timbalero for La Confidencia, one of the more popular salsa bands at the time. He was a man of little words. His message came from his playing. Raul is an expert Latin Percussionist who can solo with the best of them. I recently ran into Raul again. I was at a banquet where his new band, Salsa Chicago Mambo Jazz Orchestra, was playing. Raul played the audience well. He interacted with them and spiced it up with his snappy cuts and solos. Raul started his musical career many years ago while in High School. He played for the High School Steel Band and eventually formed his first band, La Libertad Latina. He later became the timbalero for a new group formed by popular singer, Mike Maldonado. The name of the group was "Nova." Raul’s talent and showmanship eventually caught the eye of Richard (Richie) Straka, the leader of La Confidencia, who quickly hired him as his regular timbalero when Nova broke up. I was glad to see that Raul “Timbal” is still around during a time when so many have moved on. In Chicago’s salsa history, Feliz Raul “Timbal” is someone you should know. To learn more about Raul “Timbal,” go to the attached link.

http://www.midwestlatino.com/modules/news/article.php?storyid=128

The History of Chicago Salsa Clubs

Throughout this site we featured many of the bands and musicians from back in the day. We also occasionally mentioned some of the night clubs from the past and even gave you a brief description of some of them so you could get the feel of what it was like. While topics on this blog are generally geared toward past and present salsa bands in Chicago it would only be fair to provide a brief history on some of the Night Clubs and people who also played a role in the development of salsa in Chicago. After all, without the clubs where would the bands play? The following is a brief historical summary of Chicago salsa clubs. Part of this summary was provided by Tony Irizarry, a local historian who operates a local Hispanic Museum in Chicago. This is from his publication, “Un Siglo De Hispanidad En Chicago.”

After the 1950s, Latin bands began to make occasional appearances in Chicago. A local promoter at the time, Rafael Cardona, in 1954 was one of the first to begin the practice when he first brought the popular “Cortijo Y Su Combo” to the Ashland Auditorium. Afterward, he continued to bring Latin attractions to local theaters and dances throughout Chicago. After the 50s, Vitin Santiago, a popular band leader opened one of the first Latin clubs, “La Sonora Night Club.” It was located on Madison Street near Ogden Avenue. Also around that time, local MC, Turin Acevedo, and his brother Mike opened the popular “Mocambo” night club, which was located on Madison and Loomis.

Another very popular club that was described as being much classier was “El Petite Lounge.” The headliner at this club was the ever popular Pellin Rodriguez. Pellin Rodriguez worked at this club until he eventually joined “El Gran Combo de Puerto Rico” as a vocalist. On Division Street another club, “Carmen’s Village,” featured bands regularly. The club was owned by Carmen Cristia (who later became Carmen Diaz).

A short distance away on Clybourn another club opened called, “El Tropicana Night Club.” The club did not last very long even though it was one of the more attractive clubs. Back on Division Street between Milwaukee Avenue and Ashland Avenue Charlie Gomez and his partners opened the “Casino Puerto Rico.” This club was the newest sensation but was quickly shut down when a patron was killed there. Other clubs and venues of note were the “Congreso Puertoriqueno” on North Avenue and Ogden Avenue, El “Puesto Boricua,” on Milwaukee and Elston, and “Club Los Nobles” at 17^th and Ashland.

Some local halls that featured Latin bands regularly were the Ashland Auditorium located at Ashland Avenue and Van Buren and the Temple Hall at Van Buren and Marshfield. Later on during the 1970s the Walsh Hall near Noble and Milwaukee Avenue hosted dances featuring Latin bands from Puerto Rico and New York. Local bands that played there regularly were bands like, “Felipe Y Su Gran Sonora,” “Los Humacaenos,” “El Trio Rio Platense” led by Justino Diaz, “Tarzan Y Su Orquesta,” and “Cayito Y Su Combo.”

Some of the local promoters of that era who deserve mention are; Tony Serrano, Emilio Cruz, Tony Irizarry and the ever popular Angel Lopez, who deserves special mention for taking salsa one step further. Tony Quintana was another popular promoter who hosted a local Spanish television program and opened a club called, “The Havana Madrid” located at Belmont and Sheffield.

Florentino (Junior) Mitchel was the first to promoter bring “El Gran Combo De Puerto Rico” to the Aragon Ballroom. Diego “El Cubano” Y Su Combo became very popular in the Latin club scene as well as Rafael “El Congo” Castro. “El Congo” was a very popular showman during these times. He was a great conga player and dancer. He was known as a one man show – very entertaining. Also around this time a Puerto Rican vocalist, Eddie Galarza, opened one of the most popular restaurant/ bars in the city known as, “Café Ole” located at Armitage and Sedgwick. Vitin Santiago, after his arrival to Chicago formed a band and quickly became the band that would alternate with many of the bands playing here from New York and Puerto Rico.  Later on, Vitin Santiago opened the “Sonora Night Club” and “El Coco Loco” in Lincoln Park. Several years later he opened the famous “Latin Village Night Club” on Lincoln Avenue.

During the late 70s and into the early 80s the popular clubs featuring slasa bands were, the “Tropical Magic” on Fullerton and Rockwell, the “Las Vegas Night Club” on Armitage Avenue, the “Night Life Night Club” on North Avenue, the “Nevada Night Club” on Kimball and Armitage, “La Concha” on North Avenue near Humbolt Park, the "Night and Day" on Sheridan, the “Chateau Latino,” and as previously mentioned, the “Latin Village” in Lincoln Park. “El Mirador” on North Avenue, billed as the most exclusive club of them all had Tito Puente and his Orchestra as the house band. Other halls that featured salsa bands during that time were, the “Northwest Hall” at North Avenue and Western, “Links Hall” at Sheffield and Cornelia, “D.A.N.K. Hall” located at Western and Lawrence, “El Club Ecuatoriano” at Broadway and Irving Park, the “Golden Tiara” located at Cicero near Belmont, and the ever famous Aragon Ballroom on Lawrence Avenue.  

Over the years I have heard many stories surrounding these clubs. They played an important role in the development of salsa in Chicago and as such deserved to be mentioned. Today, the “Rumba” on Hubbard, “Nacional 27” on Huron and “Tumbao" on Armitage Avenue are some of the clubs still featuring live salsa a few nights a week. I am sure we missed some but if anyone out there would like to give us an update or straighten us out with some of the details please feel free to post an update. Que Viva La Salsa!

Salsa Clasica – Chicago 1975

En 1975 La Sonora Tropical de Chicago grabo su primer disco. El titulo del disco, “Tierra Borincana,” fue la version estilo salsa con letra de German Rosario. El coro, “Un Saludo Pa Borinquen,” lo dice todo. Si estaban en Chicago durante esos tiempos, miren a ver si se acuerdan de este numero.

    Sonora Tropical de Chicago

Papo Quintero

    Papo Quintero

 

Much has been said over the years about Chicago talent. To some Chicago is a town where you can test the waters to see if you have what it takes to make it in the music world. Many have started out in Chicago and moved on to fame and great careers. Others for whatever reason have chosen to stay. Sometimes we don’t know what we have until we lose it. During the 1970s and 1980s in Chicago we had the pleasure of being entertained by a multi-talented singer/ percussionist. His real name was Jorge Quintero but everyone knew him as “Papo” Quintero. Papo Quintero was probably the most talented vocalist in the Chicago salsa scene during that time. Papo had the rare ability to improvise on just about any subject in his “soneos” in a manner that stands up with any of the best Soneros today. Papo was also an accomplished percussionist. He had an appeal that drew you in. I recall a young lady telling me that she never met anyone like him who had the ability to talk the pants off of any girl with his natural wit and charm. For those who don’t know, Papo Quintero was the lead vocalist for Chicago’s La Confidencia Orchestra. Papo was with the band for many years before venturing out on his own singing with many other local Chicago salsa bands. Had he moved on to New York or Puerto Rico, his career would have no doubt taken off. Unfortunately, Papo Quintero left us too soon when he met the same fate that many like Hector Lavoe did. For those of us that remember him lets keep him in our thoughts. For those that didn’t know him you will have to wait until you move on to the afterlife where you will no doubt hear him singing to one of the largest audiences in the sky.

Teddy Torres

During the time that Chicago was experiencing the Slasa Explosion, a young singer came on scene form Hartford, Connecticut I believe. That singer, Teddy Torres, got his feet wet in the Chicago Latin night club scene and was immediately accepted. As I remember it, Teddy was a pretty boy of sorts charming the ladies as he sang to them. He was charismatic and a true showman. I don’t know whatever became of him and was wondering if anyone out there can give us an update. I recall that he recorded an album with renowned trumpet player, Jose Merino, who wrote most of the material on the album entitled, “Jose Merino” (Borincano Records – 1974). I managed to attach a short clip of one of the cuts on the album. See if you remember him.

Cali takes claim as the Salsa Capital of the World…

Everyone knows that the original salsa capital of the world was New York. That is where it originated and that is where anyone looking for serious salsa went to. Many other cities in the Americas picked up the ball so to speak when the genre settled down a little in NYC. Puerto Rico, Florida and Colombia kept it alive but Colombia took it even further. Today, Colombia makes claim that they are the salsa capital of the world and maybe they are for they have yet to succumb to the other alternative genres as the others did. See the attached article for more info and thank you Colombia for keeping it alive.

http://www.smh.com.au/travel/a-splash-of-salsa-and-hold-the-chat-20100225-p58n.html

The Official Roster of Chicago Salsa Musicians

Over the years there were many musicians that played a role in Chicago’s salsa history. Unfortunately, too many have been forgotten. In their honor we owe it to them to let everyone know who they were. In an effort to recognize those musicians, we would like to post a roster here of all Chicago salsa musicians - both past and present. For this we need your help. I can start the list with the names of some of those I remember but will need your help to make the list complete. Again, help us recognize them for their influence in molding Chicago’s salsa scene. Please feel free to add any names to the list so that everyone will know who they were or still are. Thanks.

Vitin Santiago – Vocalist/ Band Leader

Gilberto Diaz – Timbales/ Band Leader

Joe "Peruco" Torres – Bass

Tommy Muriel – Piano

Facio (Helios Alfacio)– Piano

Arturo Aguilar - Piano

Tito DelToro – Timbales

Chiqle – Trumpet

Felipe – Trumpet/ Band Leader - Felipe Y Su Gran Sonora

Edwin "Tarzan" Rivera– Congas/ Band Leader (La Poderosa)

Jack “Papo” Feliciano – Conga/ Trumpet/ Band Leader (Sonora Tropical)

Angelo Perez – Bass
Juan Perez - Piano

Chito Castro – Vibraphone/ Flute (Manuel Y Sus Estrellas)

Hector “Tato” Rivera – Conga

Gelito Sanchez – Guitar/ Band Leader

Angel Perez – Vocalist

Julio Ortiz – Trumpet

Bob Stockwell – Trumpet

Aniel Lugo – Bass

Mickey Rivera – Timbales

Ray Soto – Timbales (Los Consules)

Mike Maldonado – Vocalist

Teddy Torres – Vocalist

Chuck Velez – Bass (Sonora Tropical)

Richie Straka – Trumpet (La Confidencia)

Jorge “Papo” Quintero – Vocalist (La Confidencia)

Hector Narvaez – Piano

Roberto Sanchez – Bongos (Sonora Tropical)

Dez Desormeaux – Sax (Sonora Tropical)

Greg Aguirre – Trombone (Sonora Tropical)

Scott Sutter – Trombone (Sonora Tropical)

Harry Vera – Vocalist (Sonora Tropical)

Jesus “Papiro” Vera – Timbales (Sonora Tropical)

Miguel “Chocolate” Cruz – Bongo (Various)

Jose “Negrito” Perez – Conga (Various)

Marcus Persiani – Piano (Sonora Tropical)

Sol Sostre – Conga

Freddie Rodriguez – Trumpet (Various)

Hector Nunez – Vocalist (Various)

Luis “Prieto” Rosario – Timbales (Various)

Jesus Soto – Bass (La Solucion – Chicago)

Juan “Jap” Castro – Bass (La Justicia)

Edwin Sanchez – Piano (Various)

Mike Rivera – Bass (Tipica 78 – Chicago)

David Rodriguez – Tres/ Guitar  (La Solucion - Chicago)

Carlos Gonzalez – Timbales

Elmer Brown – Trumpet (Various)

Mike Janus – Trumpet (Various)

Angel Melendez – Trombone/ Band Leader (911)

Freddie Torres – Bass (Various)

Frankie Rodriguez – Trombone (911)

Manuel Ramos – Timbales/ Band Leader (Manuel Y Sus Estrellas)

Vida Rivera – Congas (Tipica 78 – Chicago)

Leo Velez – Guitar (La Union)

Jimmy “Jimbo” Cruz – La Union

Samuel “Sammy” Castro – Bongo

Jorge Gonzalez – Timbales (911)

Willie Garcia – Vocalist

Antonio Castro – Piano

Willie Negron – Conga

Edwin Torres – Timbales

Miguel Mendez – Vocalist

Everardo Rey – Trumpet

Raul Ortiz – Timbales

Eliezer "Pepe" Armijos - Piano

Mike Martinez – Piano

Vic Parra – Conga/ Band Leader

Ramon “Chocolate” Moreno - Trumpet
Manny Garcia - Bass/ Band Leader 
Angel Oliver - Trombone
Edwin Rodriguez - Trombone
Santos Pagan - Trumpet
Marcelino Gonzalez - Saxophone
Tony Del Valle - Piano
Ivan Gonzalez - Conga
Jimmy Ortiz - Vocals
Hector Del Valle - Vocalist
David Febles - Timbales 
Freddy Garcia - Vocals
Luis Maldonado - Vocalist (La Poderosa)
Juan Arnau - Trumpet
Victor Flores - Trumpet
Luis "Ralo" Dominguez - Bass
"Wolfie" Dominguez - Piano
Manny Picarro - Guitar
Victor Martinez - Timbales
Wifredo Torres - Vocalist
Johnny Melendez - Vocalist (Cabito Y Su Combo Puertio Rico)
Hector Reyes - Vocals
Angel "Mulato" Maldonado - Bongo
Jesus Enrique - Vocalist
Jorge Dalto - Piano
Juan Carlos "JC" Delgado - Congas
Jorge Millet - Piano
Juan "Cabito" Rivera - Cabito Y Su Combo Puerto Rico
Charlie Burgos - Trombone/ Vocals (La Justicia)
Adalbrto Quinones - Congas (La Justicia)
Albert Martinez - Sax (La Justicia)
Ismael "Jibarito" Rosa - Vocalist (La Justicia)
Jorge Alvarado - Trumpet (La Justicia)
Herman Gonzalez - Trumpet (La Justicia)
Jose Sanchez - Trumpet (La Justicia)
Ramiro Hernandez - Piano (La Justicia)
Antonio Duprey - Timbales (La Justicia)
Joe Diaz - Bongo/ Percussion (La Justicia)
Sureya Perez - Vocalist
Hector Colon - Vocalist
Shorty Ramirez - Conga/ Band Leader
Patricia A. Murray - Guitar (Tipica Leal 79)
Dennis Calito - Timbal/Music Director (Rica Obsesion)
Byron Calito - Congas/Coro (Rica Obsesion)
Harley Figueroa - Saxophone / Coro (Rica Obsesion)
Micah Frazier - Trumpet (Rica Obsesion)
Junior Rivera - Lead Vocal / Coro (Rica Obsesion)
Alex Torres - Lead Vocal / Coro (Rica Obsesion)
Joe Mende - Trombone (Rica Obsesion)
Stuart Mindiman - Piano (Rica Obsesion)
Brian Rivera - Bongo (Rica Obsesion)

Richie Pillot - Bass (Rica Obsesion and others)
Antonio Morales - Trombone (Tipica Leal 79, Projecto 7 - Elgin)
Antonio Vasquez - Trombone (La Union)
Johnny Placeres - Congas (Tipica Leal 79)
Luis Alequin - Timbales (La Solucion)
Hector Rodriguez - Percussion (Tipica Leal)
Joe Frau - Percussion

La Historia De La Salsa En Chicago

Sabe usted la historia de la salsa en Chicago? Comparten sus experiencias con nosotros o diganos lo que sabe sobre la era de la salsa de la década de los 1970s en la ciudad de Chicago. Habian muchas bandas y músicos que nos entretuvo durante esos años. Ayúdanos a recordar esos tiempos.

Gelito Sanchez at the Night Life Night Club – 1970s

 

Cerebro - Gelito Sanchez

In a recent thread, I briefly described the mood of the Tropical Magic Night Club on Fullerton Avenue back in the 70s. Now I would like to take you a little west to a smaller neighborhood club called, “The Night Life Night Club.” As I said before, salsa clubs were popular back then and this one was no different. The Night Life Club was located on North Avenue near Tripp in one of the most violent areas in the city at the time. When you entered the club the first thing you noticed was that you were almost entirely in the dark. The only areas with artificial lighting were the bar area and the stage. Other than that, the only lighting was supplied by candles that were at the center of each red clothed table. The mirrored disco ball at the center of the dance floor was the only exception. The reflection of light from the tiny mirrors of the disco ball made its way through the smoke filled room while slowly spinning around the club giving you the feeling of continuous motion. I recall that every weekend we would ask what club had which band and decide where to go for the night. At the Night Life, you knew that “Sanchez” was playing there. “Sanchez,” whose real name is Gelito Sanchez, was the leader of a group he formed called, “Sus Mejores.” The owner of the club, who would occasionally hire trios and conjuntos for the more tipical music, took a liking to Sanchez and tapped him to run the house band. Sanchez quickly put a group together whose members consisted of vocalist Angel Perez, Julio Ortiz and Bob Stockwell on trumpets, Aniel Lugo on bass, Hector Rivera – better known as “Tato” on congas and Mickey Rivera on timbales. Gelito Sanchez played acoustic guitar with a pickup attached. Gelito Sanchez was a throwback to the conjunto days when every house party or local dance had a conjunto comprised entirely of guitars playing guarachas and merengues. Sanchez was loyal and steady. He held that gig for the longest time playing mostly “rutina.” During their tenure there the owner of the Night Life produced a record album featuring the group entitled, “Cerebro – Gelito Sanchez Y Sus Mejores.” I attached a little of one of the songs you would hear them play. Take a listen and see if you remember it.

Numero Label Discovers Chicago Old School Salsa

    Cult Cargo - Salsa Boricua De Chicago

It was just a matter of time when someone would finally ask, What role did Chicago play in the history of salsa? The question was finally asked and it took someone like Rob Sevier and his dogged determination to get the answer. You see, Rob Sevier is a historian of sorts. His quest is to unearth music and musicians that played a role in Chicago’s music history that were passed over in time due to lack of funds or marketing. When he makes a find, his mission is to re-introduce the forgotten stars and music through the Numero Label. A few years ago, Rob Sevier, Ken Shipley and Tom Lunt formed the Numero Group, a music archive label. Their past releases are quite impressive and now Sevier and the Numero Label hit the gold mine. They discovered recordings from the earliest salsa groups of the 1970s and 1980s in Chicago. Rob Sevier was lucky to get his hands on salsa music recorded during the salsa boom in Chicago under the Ebirac Label. Numero recently released a CD of tunes recorded by Ebirac groups like, La Justicia, La Union, Tipica Leal 79 and others. The CD is entitled, “Cult Cargo: Salsa Boricua De Chicago.” So if you really want to know the role that Chicago played in the history of salsa, pick up the CD and be enlightened. If you lived through it you will no doubt be taken back in time after hearing it. Click on the attached link to the Numero Group Web Page for more info and to purchase the CD. Nice job Numero Group!

http://www.numerogroup.com/catalog_detail.php?uid=01227#

Charlie Burgos and La Nuestra sing, “That’s No Sweat” – A Chicago old school salsa gem.

During the 1980s salsa bands in Chicago were plentiful. In addition to the established salsa bands during that era many more continued to form. This was partly due to the efforts of Carlos “Caribe” Ruiz, the founder of El Congreso Puertoriqueno on North Avenue. Through his Civic Organization, “Caribe,” as most people called him, continued to indoctrinate youths into salsa by way of his sponsorship of young salsa bands. “Caribe” eventually formed his own record company named “Ebirac” (Caribe backwards). “Caribe” would tote boxes containing recordings of many of the young bands he sponsored and would sell them at the many dances his bands played. In doing so, Caribe gave many youth a first time experience in making records. Many of the recordings were not studio quality but served as a way to create a fan base among the many teens that followed the bands. While doing my research on these “Caribe” bands I came across a single recorded by a band named, “La Nuestra,” one of the Caribe bands.  The title of the tune is, “That’s No Sweat,” written and sung by vocalist Charlie Burgos. “That’s No Sweat” is an original tune recorded by “La Nuestra.” If you can ignore the quality of the recording you will treat yourself to a very good Spanish/English crossover salsa tune. The lyrics and melody are very good and remind me of Fania’s star Joe Bataan. Bataan became popular in New York for Latinizing Soul music. He was one of the New York salsa artists who had success in doing the Spanish/ English crossover. I don’t know what ever happened to La Nuestra or the talented Charlie Burgos but I managed to copy a little bit of the tune for you to sample. If only Caribe would have stayed around a little longer. It looked like he was on the right track. Listen and enjoy!

Judy and Ralph

 

Every now and then I get in a nostalgic mood and wander into the past when the salsa clubs and venues were buzzing with excitement. I remember the echo of the dance halls and the skill of the dancers, putting their own signatures on their style of spinning as the trumpets blared on. There were many regulars that followed the Latin scene back then. I am talking about the 1970s in Chicago of course and if you followed the salsa scene back in the day you can’t help but remember Judy and Ralph. Judy and Ralph was an Anglo dance couple that appeared at all the dance events and night clubs. Judy (I don’t recall her last name but may have been Loeb) was a Jewish artist by day and professional salsa dancer by night. She often appeared at these venues accompanied by a gentleman named Ralph. I never did know his last name but if you ever were at any of these events you had to have seen them. At the time they were well into their years but that did not stop them from pursuing their love for salsa dancing. In many instances they were as popular as the band and had their own following. Today I wonder what ever happened to this couple. I am interested to see if anyone still remembers them or can update us on whatever became of them. If anyone out there knows please fell free to post a comment so we can update everyone else.

Chicago Salsa Flashback of the 70s - Manuel Y Sus Estrellas

It was Saturday on a hot summer night during the mid 1970s. We decided to check out a Latin Club and went to the Tropical Magic Night Club on Fullerton Avenue at Rockwell. The neighborhood was kind of rough back in the day but it didn’t matter because everyone was there for the same thing – Salsa. The Tropical magic was one of the more popular West Side Latin Night Clubs at the time. It was dark inside with bamboo décor, plastic palm trees and a long colorful glass bar. The walls were painted black with green fluorescent paint that lit up with the purple black lights that were strategically placed throughout the club. When you came to the door, the bouncer dressed in a white suit with an open collar and a thick gold chain, patted you down to make sure you had no weapons. The band was on break but the juke was blaring, “Toro Mata Ayi Toro Mata”…the popular Celia Cruz tune. The dance floor was crowded with couples.

After the break, the small group returned to the stage. The group named, “Manuel Y Sus Estrellas” started playing and the dancers quickly came to their feet. The group was comprised of a pianist, baby bass player, a conga player, timbalero, a vocalist, and a vibraphone player, who doubled on flute. They were tight and had a swing that was contagious. They sounded a lot like the Joe Cuba Sextet of the 60s from New York and were the hottest group in the Latin Night Club scene at the time. I remember that the leader’s name was Manuel, who I think played timbales. The conga player I think was Tato, the vibe player Chito and the piano player was Arturo Aguilar, a club regular who always wore dark glasses. Those were the days when the pure Latin rhythms your body craved through live music was the fix everyone looked for on the weekends. Those were the days.

I often wondered what ever happened to this group. I did a little web searching and found that Manuel Y Sus Estrellas had actually recorded a single. I found it on Youtube and attached the link for your listening pleasure. If you remember this group or any of its members or simply want to share your Tropical Magic experience please let us know.
http://www.youtube.com/watch?v=cAUlGPB85zY&feature=mfu_in_order&list=UL

Marcus Persiani - Featured Artist

     Marcus Persiani at The Chicago Fest - (C) 1980s

    Marcus Persiani on the Grand Piano

    Marcus Persiani CD - Uptown Suite

    Marcus Persaini (C) 1980s

Imagine yourself caught up in the swing of the salsa band. The fast paced music brings everyone to their feet. Soneros tell their story through their song and the horn section responds with jazzy rifts. Suddenly the tune quiets down as the percussion section continues marking time. The piano solo begins. At first, he leads you through the swing of the tune and then the journey begins. Before you know it you are being led through a mixture of traditional Cuban and Jazz rifts so mesmerizing you don’t want it to stop. The pianist, Marcus Persiani, without saying a word just made his presence known. This is a flashback of the days in Chicago when live salsa dominated the Latin Club scene. We often wonder where these stars are today. Here’s the update:

As previously mentioned in this blog, Marcus Persiani first came to the Chicago Latin scene during the early 1980s when he came to sit in at the rehearsal of a then popular Latin Band (La Sonora Tropical) in Chicago. At the time, Marcus Persiani was finishing up his studies at the American Conservatory of Music in Chicago and was already an accomplished jazz musician. The band, who like many others utilized various pianists based on availability, was quick to offer Persiani the steady job after hearing the strong jazz influence in his solos. Before time, Marcus Persiani mastered the Cuban Mambo and Son Montuno styles that are part of his playing arsenal today and became one of the best Salsa pianists in Chicago. As we mentioned before, there were many musicians who played an important role in the development of Chicago Salsa. The list would not be accurate if Marcus Persiani was not included. As with many accomplished musicians, steady work is key to survival and as the Salsa scene began to decline so did job opportunities. Marcus Persiani, as did many others, eventually moved on to New York where he continues to mark his influence in the jazz scene today. He has established himself as a master jazz and Latin musician in New York City. There is no reason to question his success for salsa still runs through his veins. Good Luck Marcus.

Marcus Persiani has recently released his new CD,”Uptown Suite.” Follow Marcus Persiani on his Facebook page. Go to the attached link.

http://www.facebook.com/home.php#!/marcuspersiani