
This site is dedicated to bringing Chicago area salsa fans up to speed about an almost forgotten era in Chicago - The Salsa era. This is not to say that salsa is still not around for salsa will never disappear. Its intent is to share the experience with those that didn't know about it and to revive the experience in those that lived it. We welcome articles from anyone who would like to share their experience during this time.
Wednesday, June 1, 2011
Jorge Dalto – Chicago Roots

Monday, May 16, 2011
“Suena” – Latin Jazz combo brings us “Salsazz” (Salsa con Jazz)

Saturday, May 7, 2011
Mike Maldonado – “Sonero De Los Soneros”

Mike Maldonado came to Chicago many years ago from Utuado, Puerto Rico. His love for music was second to none and he quickly became involved in the Chicago Latin music scene. In the over 50 plus years he spent in the city he sang with most of the popular salsa bands. Back in the day Mike Maldonado sang with Los Humacaenos and Rio Platense. I recall the first time I saw him he was singing at the Las Vegas Night Club with a group there. I remember that Mike was never out of a gig and had done time with many other established bands such as, Felipe Y Su Gran Sonora, “Tarzan” (Edwin Rivera) Y Su Orquesta, and on occasion with La Sonora Tropical and La Confidencia. I recall that during the 1970s Mike Maldonado started a band called “Nova.” I remember comparing the group to Tipica 73 from New York at the time because they had a similar sound. The group was very popular and became the house band for one of the Latin clubs in the city for a long time. They were one of my favorite groups of that time. Later on, after the breakup of “Nova,” Mike Maldonado found a new home with “La Confidencia,” who was going through some personnel changes. Mike’s professionalism and savvy style of singing solidified the sound of La Confidencia, who became one of the longest lasting salsa bands in the city.
After several years away from the Latin scene I heard about a band called the 911 Mambo Orchestra. I found out that the band, under the direction of Trombonist Angel Melendez, had recorded an album that was nominated for a Grammy – a first for a Chicago Salsa band. I decided to check out a few tracks from the CD and was surprised when I recognized the vocals of none other than Mike Maldonado. I remember talking to Mike Maldonado about the recording later on. He would beam when he talked about it. He said that after so many years paying his dues in Chicago he could not believe that his first recording with 911 Mambo Orchestra resulted in a Grammy nomination. He said it was “like hitting a home run in your first at bat.” He was truly proud of this accomplishment and proud of the band and grateful to Angel Melendez for the opportunity.
A couple of years ago a local musician called me and told me that Mike Maldonado was retiring and moving to Florida and that Angel Melendez was having a homage to him at a popular downtown restaurant. I agreed to go and was glad to meet up with him again and reminisce about old times and the development of salsa over the years. We had a great time and exchanged numbers. After a few weeks, I called Mike to see how things were going in Florida. He told me things were great and that I should come down because there was a lot of work there. As it turned out Mike couldn’t stay away from salsa. He wound up singing for a group there called “La Nueva Herencia” and never really retired from music. You see, it’s not easy retiring from salsa or completely quitting something you love. A short time after our conversation I was saddened to learn that Mike Maldonado had passed away in Florida. Mike Maldonado may have left us with no one to fill his role here in Chicago as the premier “Sonero” but make no mistake, Mike Maldonado is still singing those crafty lyrics in the sky letting them know he is still the baddest mother f around. Thanks for giving us all those years of good salsa. We miss you.
To read a little more on Mike Maldonado click on the attached link.
http://redalyc.uaemex.mx/pdf/377/37716111.pdf
Friday, April 29, 2011
Chicago Salsa Bands - Past and Present
Sonora Tropical
Everardo Y Su Flota Musical
Orquesta Yambo
Carpacho Y Su Super Combo
La Tremenda Rumba
Chicago Mambo All Stars
Eliezer Y Su Orquesta
Gelito Sanchez
La Justicia
Tarzan Y La Poderosa
La Solucion de Chicago
La Confidencia
Angel Melendez and the 911 Mambo Orchestra
La Nuestra
Orquesta Sensacion de Chicago
Orquesta Suave
La Controversia de Milwaukee, Wisconsin
http://www.youtube.com/watch?v=cAUlGPB85zY&feature=mfu_in_order&list=UL
http://www.youtube.com/watch?v=cAUlGPB85zY&feature=mfu_in_order&list=UL
Manuel Y Sus Estrellas
http://www.youtube.com/watch?v=KysQkl6_EeI&feature=related
La Union de Chicago
http://www.youtube.com/watch?v=XkC37l9ufXQ&feature=related
Juventud Tipica 78 de Chicago
http://www.youtube.com/watch?v=RwEoPjSLalM
http://www.youtube.com/watch?v=KysQkl6_EeI&feature=related
La Union de Chicago
http://www.youtube.com/watch?v=XkC37l9ufXQ&feature=related
Juventud Tipica 78 de Chicago
http://www.youtube.com/watch?v=RwEoPjSLalM
Teddy Torres
http://www.mamboexpress5.com/
Vic Parra and the Mambo Express
http://www.mamboexpress5.com/
Vic Parra and the Mambo Express
Shorty Ramirez Y Su Orquesta
http://www.youtube.com/watch?v=SYYFxQMm8J8
Tipica Leal 79
http://www.youtube.com/watch?v=6tzum26uucc
Rica Obsesion
http://www.youtube.com/watch?v=SYYFxQMm8J8
Tipica Leal 79
http://www.youtube.com/watch?v=6tzum26uucc
Rica Obsesion
Sunday, April 24, 2011
The Other Barreto

Monday, April 18, 2011
Raul “Timbal”
Photo courtesy of salsachicago.com

Friday, April 8, 2011
The History of Chicago Salsa Clubs
Throughout this site we featured many of the bands and musicians from back in the day. We also occasionally mentioned some of the night clubs from the past and even gave you a brief description of some of them so you could get the feel of what it was like. While topics on this blog are generally geared toward past and present salsa bands in Chicago it would only be fair to provide a brief history on some of the Night Clubs and people who also played a role in the development of salsa in Chicago. After all, without the clubs where would the bands play? The following is a brief historical summary of Chicago salsa clubs. Part of this summary was provided by Tony Irizarry, a local historian who operates a local Hispanic Museum in Chicago. This is from his publication, “Un Siglo De Hispanidad En Chicago.”
After the 1950s, Latin bands began to make occasional appearances in Chicago. A local promoter at the time, Rafael Cardona, in 1954 was one of the first to begin the practice when he first brought the popular “Cortijo Y Su Combo” to the Ashland Auditorium. Afterward, he continued to bring Latin attractions to local theaters and dances throughout Chicago. After the 50s, Vitin Santiago, a popular band leader opened one of the first Latin clubs, “La Sonora Night Club.” It was located on Madison Street near Ogden Avenue. Also around that time, local MC, Turin Acevedo, and his brother Mike opened the popular “Mocambo” night club, which was located on Madison and Loomis.
Another very popular club that was described as being much classier was “El Petite Lounge.” The headliner at this club was the ever popular Pellin Rodriguez. Pellin Rodriguez worked at this club until he eventually joined “El Gran Combo de Puerto Rico” as a vocalist. On Division Street another club, “Carmen’s Village,” featured bands regularly. The club was owned by Carmen Cristia (who later became Carmen Diaz).
A short distance away on Clybourn another club opened called, “El Tropicana Night Club.” The club did not last very long even though it was one of the more attractive clubs. Back on Division Street between Milwaukee Avenue and Ashland Avenue Charlie Gomez and his partners opened the “Casino Puerto Rico.” This club was the newest sensation but was quickly shut down when a patron was killed there. Other clubs and venues of note were the “Congreso Puertoriqueno” on North Avenue and Ogden Avenue, El “Puesto Boricua,” on Milwaukee and Elston, and “Club Los Nobles” at 17th and Ashland.
Some local halls that featured Latin bands regularly were the Ashland Auditorium located at Ashland Avenue and Van Buren and the Temple Hall at Van Buren and Marshfield. Later on during the 1970s the Walsh Hall near Noble and Milwaukee Avenue hosted dances featuring Latin bands from Puerto Rico and New York. Local bands that played there regularly were bands like, “Felipe Y Su Gran Sonora,” “Los Humacaenos,” “El Trio Rio Platense” led by Justino Diaz, “Tarzan Y Su Orquesta,” and “Cayito Y Su Combo.”
Some of the local promoters of that era who deserve mention are; Tony Serrano, Emilio Cruz, Tony Irizarry and the ever popular Angel Lopez, who deserves special mention for taking salsa one step further. Tony Quintana was another popular promoter who hosted a local Spanish television program and opened a club called, “The Havana Madrid” located at Belmont and Sheffield.
Florentino (Junior) Mitchel was the first to promoter bring “El Gran Combo De Puerto Rico” to the Aragon Ballroom. Diego “El Cubano” Y Su Combo became very popular in the Latin club scene as well as Rafael “El Congo” Castro. “El Congo” was a very popular showman during these times. He was a great conga player and dancer. He was known as a one man show – very entertaining. Also around this time a Puerto Rican vocalist, Eddie Galarza, opened one of the most popular restaurant/ bars in the city known as, “CafĂ© Ole” located at Armitage and Sedgwick. Vitin Santiago, after his arrival to Chicago formed a band and quickly became the band that would alternate with many of the bands playing here from New York and Puerto Rico. Later on, Vitin Santiago opened the “Sonora Night Club” and “El Coco Loco” in Lincoln Park. Several years later he opened the famous “Latin Village Night Club” on Lincoln Avenue.
During the late 70s and into the early 80s the popular clubs featuring slasa bands were, the “Tropical Magic” on Fullerton and Rockwell, the “Las Vegas Night Club” on Armitage Avenue, the “Night Life Night Club” on North Avenue, the “Nevada Night Club” on Kimball and Armitage, “La Concha” on North Avenue near Humbolt Park, the "Night and Day" on Sheridan, the “Chateau Latino,” and as previously mentioned, the “Latin Village” in Lincoln Park. “El Mirador” on North Avenue, billed as the most exclusive club of them all had Tito Puente and his Orchestra as the house band. Other halls that featured salsa bands during that time were, the “Northwest Hall” at North Avenue and Western, “Links Hall” at Sheffield and Cornelia, “D.A.N.K. Hall” located at Western and Lawrence, “El Club Ecuatoriano” at Broadway and Irving Park, the “Golden Tiara” located at Cicero near Belmont, and the ever famous Aragon Ballroom on Lawrence Avenue.
Over the years I have heard many stories surrounding these clubs. They played an important role in the development of salsa in Chicago and as such deserved to be mentioned. Today, the “Rumba” on Hubbard, “Nacional 27” on Huron and “Tumbao" on Armitage Avenue are some of the clubs still featuring live salsa a few nights a week. I am sure we missed some but if anyone out there would like to give us an update or straighten us out with some of the details please feel free to post an update. Que Viva La Salsa!
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